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MS 978 - Papers of Sir Barry Jackson and the Birmingham Repertory Theatre - c.1870s - 1971
1 - Birmingham Repertory Theatre
2 - Plays - 1911 - 1971
1 - Licences for performance of plays - 1913 - 1968
2 - Agreements for production of plays - 1923 - 1960
1 - Agreement for the production of 'The Adding Machine' by Elmer Rice - 14 November 1927
2 - Agreement for the production of 'The Apple Cart' by George Bernard Shaw - 16 May 1929
3 - Agreement for the production of 'Aren't Women Wonderful' by Harris Deans - 12 July 1927
4 - Agreement for the production of 'The Barber and the Cow' by T. D. Davis - 22 May 1926
5 - Agreement for the production of 'The Barretts of Wimpole Street' by Rudolph Besier - 16 July 1929
6 - Agreement for the production of 'The Barretts of Wimpole Street' by Rudolf Besier and 'Jane's Legacy' by Eden Phillpotts - 07 March 1931
7 - Agreement for the production of 'The Barretts of Wimpole Street' by Rudolf Besier - 3 July 1931
8 - Agreement for the production of 'Bert's Girl' by Elizabeth Baker - 14 July 1925
9 - Agreement for the production of 'Bird In Hand' by John Drinkwater - 24 March 1927
10 - Agreement for the production of 'Bird In Hand' by John Drinkwater - 08 March 1929
11 - Agreement for the production of 'Bird In Hand' by John Drinkwater - 15 July 1929
12 - Agreement for the production of 'A Bite of the Apple' by Vernon Sylvaine - 28 October 1932
13 - Agreement for the production of 'The Blue Comet' by Eden Phillpotts - 07 June 1926
14 - Agreement for the production of 'The Brontes of Haworth Parsonage' by John Davison - 21 October 1933
15 - Agreement for the production of 'Charmeuse' by Temple Thurston - 02 September 1930
16 - Agreement for the production of 'The Clod and the Pebble' by Murray McClymont - 31 December 1929
17 - Agreement for the production of 'Le Comedien Et La Grace' by Henri Gheon - 18 February 1926
18 - Agreement for the production of 'The Composite Man' by Ronald Jeans - 10 August 1935
19 - Agreement for the production of 'Counsellor at Law' by Elmer Rice - 18 April 1934
20 - Agreement for the production of 'Counsellor at Law' by Elmer Rice - 18 April 1934
21 - Agreement for the production of 'The Crooked Cross' by Sally Carson - 01 October 1934
22 - Agreement for the production of 'The Dancing Girl' by Henry Arthur Jones - 06 December 1932
23 - Correspondence re agreement for the production of 'Dear Brutus' and 'Quality Street' by J. M. Barrie - 17 July 1931
24 - Agreement for the production of 'The Desperate Lovers' by Alfred Sutro - 22 March 1926
25 - Agreement for the production of 'The Desperate Lovers' by Alfred Sutro - 07 December 1926
26 - Agreement for the production of 'Devonshire Cream' by Eden Phillpotts - 29 October 1924
27 - Agreement for the production of 'Devonshire Cream', 'Jane's Legacy' and 'The Runaways' by Eden Phillpotts - 14 July 1925
28 - Agreement for the production of 'Doctor's Delight', translation of Moliere's 'Le Malade Imaginaire', by Gwen Nelson - 02 June 1945
29 - Agreement for the production of 'Echo' by Leila Taylor - 29 July 1929
30 - Agreement for the production of 'The Edwardians' dramatised by Edward Knoblock - 25 August 1934
31 - Agreement for the production of 'Evensong' by Edward Knoblock and Beverley Nichols - 09 June 1932
32 - Agreement for the production of 'Evensong' by Edward Knoblock and Beverley Nichols - 06 December 1932
33 - Agreement for the production of 'The Farmer's Wife' by Eden Phillpotts - 26 May 1923
34 - Agreement for the production of 'The Farmer's Wife' by Eden Phillpotts - 31 July 1924
35 - Agreement for the production of 'The Farmer's Wife, by Eden Phillpotts - 29 October 1924
36 - Extension of the agreement for the production of 'The Farmer's Wife' by Eden Phillpotts - 31 August 1925
37 - Correspondence re the agreement for the production of 'The Farmer's Wife' and 'Yellow Sands' both by Eden Phillpotts - 16 January 1928
38 - Agreement for the production of 'The Farmer's Wife' by Eden Phillpotts - 01 October 1931
39 - Agreement for the production of 'The Farmer's Wife', 'Yellow Sands', 'Devonshire Cream' and 'Jane's Legacy' by Eden Phillpotts - 17 June 1935
40 - Agreement for the production of 'The Five Leverets' by Julius Pohl, translated by Griffith Humphreys - 04 July 1929
41 - Correspondence re the production of 'Fratricide Punished' by William Poel - 20 April 1960 - 06 May 1960
42 - Agreement for the production of 'The Good Old Days' by Adelaide and Eden Phillpotts - November 1930
43 - Agreement for the production of 'The Good Old Days' by Adelaide and Eden Phillpotts - 12 December 1930
44 - Agreement for the production of 'Queen Mary' and 'Harold' by Alfred, Lord Tennyson - 1925
45 - Agreement for the production of 'Harold' by Alfred, Lord Tennyson - 14 January 1928
46 - Agreement for the production of 'He Who Gets Slapped' by Leonid Andreyev, translated by Gertrude Schurhoff and Barry Jackson - 18 September 1925
47 - Agreement for the production of 'Head-On Crash' by Laurence Miller - 31 January 1933
48 - Agreement for the production of 'The Home Front' by Diana and Bruce Hamilton - 24 December 1929
49 - Agreement for the production of 'The Immortal Hour' by Rutland Boughton - 18 September 1922
50 - Agreement for the production of 'The Immortal Hour' by Rutland Broughton - 02 February 1923
51 - Agreement for the production of 'The Immortal Hour' by Rutland Broughton - 01 January 1927
52 - Agreement for the production of 'The Immortal Hour' by Rutland Broughton - 25 February 1931
53 - Agreement for the production of 'Jane Eyre' by Helen Jerome - 10 December 1935
54 - Agreement for the production of 'Jane Eyre' by Helen Jerome - 30 April 1936
55 - Agreement for the production of 'Jane's Legacy' by Eden Phillpotts - 31 August 1925
56 - Agreement for the production of 'Jane's Legacy' by Eden Phillpotts - 10 January 1928
57 - Agreement for the production of 'Katharina Knie' by Carl Zuckmayer, adapted by Cicely Hamilton - 29 February 1932
58 - Agreement for the production of 'A Man's House' by John Drinkwater - 21 July 1934
59 - Agreement for the production of 'Marriage Is No Joke' by Osborne H. Mavor ( James Bridie, pseudonym) - 17 December 1932
60 - Agreement for the production of 'Marriage Is No Joke' by Osborne H. Mavor (James Bridie, pseudonym) - 12 January 1934
61 - Agreement for the production of 'The Mayor' by Adelaide Eden Phillpotts - 22 March 1928
62 - Agreement for the production of 'The Mayor' by Adelaide Eden Phillpotts - 09 March 1929
63 - Agreement for the production of 'The Mayor' by Adelaide Eden Phillpotts - 20 February 1929
64 - Agreement for the production of 'The Merciless Lady' by John Alexander Ferguson and Norman G Hunter - 14 August 1934
65 - Agreement for the production of 'Monsieur Le Trouhadec' by Jules Romains - 31 December 1926
66 - Agreement for the production of 'The Moon in the Yellow River' by Denis Johnston - 20 January 1932
67 - Agreement for the production of 'Mutiny' by David Stewart - 12 November 1933
68 - Agreement for the production of 'Once In a Lifetime' by Moss Hart and George S. Kaufman - 1932
69 - Agreement for the production of 'Once In a Lifetime' by Moss Hart and George S, Kaufman - 13 January 1933
70 - Agreement for the production of 'Out Of The Frying Pan' by Ralph Stock - 07 December 1928
71 - Agreement for the production of 'Pigs' by Anne Morrison and Patterson McNutt - January 1935
72 - Agreement for the production of 'The Pleasure Garden' by Beatrice Mayor - 08 April 1927
73 - Correspondence concerning the agreement for 'Return to Sanity' - 03 March 1939 - 08 March 1939
74 - Agreement for the production of 'The Runaways' by Eden Phillpotts - 22 March 1928
75 - Correspondence concerning the agreement for 'School' by Redmond Phillips, Douglas Seale and Christopher Whelan - 04 December 1957 - 11 December 1957
76 - Agreement for the production of 'The Secret Woman' by Eden Phillpotts - 20 June 1928
77 - Agreement for the production of 'Shadows of Strife' by John Davison - 17 August 1929
78 - Agreement for the production of 'Six Characters in Search of an Author' by Luigi Pirandello - 27 January 1925
79 - Correspondence concerning the production of 'Something to Talk About' by Eden Phillpotts - 20 January 1927 - 21 January 1927
80 - Agreement for the production of 'Swiss Family Robinson' adapted by Barry Jackson and R Hernekin Baptist - 23 December 1938
81 - Agreement for the production of 'The Switchback' by James Bridie - 09 April 1931
82 - Agreement for the production of 'The Third Finger' by R R Whittaker - 20 January 1928
83 - Agreement for the production of 'To Account Rendered' by W Somerset Maugham - 09 June 1932
84 - Agreement for the production of 'The Warrior's Husband' by Julian Thompson - 29 November 1932
85 - Correspondence concerning the production of 'The Years of the Locusts' by Constance O'Hara - 11 April 1938 - 01 June 1938
86 - Agreement for the production of 'Yellow Sands' by Eden Phillpotts - 07 October 1926
87 - Agreement for the production of 'Yellow Sands' by Eden Phillpotts - 18 October 1926
88 - Agreement for the production of 'Yellow Sands' by Eden Phillpotts - 28 February 1927
89 - Agreement for the production of 'Yellow Sands' by Eden Phillpotts - 19 August 1927
90 - Agreement for the production of 'Yellow Sands' by Eden Phillpotts - 20 October 1927
3 - Press releases re production of plays - 1948 - 1959
4 - Correspondence concerning plays and rights to plays - 1911 - 1964
5 - Licences to use theatres - 1924 - 1932
7 - Touring companies - 1950 - 1963
8 - Programme volumes (including for Malvern Festival) - 1913 - 1966
9 - Seasonal programmes and advance publicity material - 1913 - 1970
A - Programmes
B - Photos of productions - 20th Century
C - Prompt Books - 20th Century
D - other / unknown
N - No material held
3 - Artists - 1931 - 1980s
4 - Sir Barry Jackson (including box 27)
5 - Sir Barry Jackson and Old Rep material (including boxes 29 - 30) - 1872 - 2005
6 - Unsorted material from 'The Sir Barry Jackson/Old Rep Archive' in ISG
7 - Miscellaneous
8 - Sir Barry Jackson's Library
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